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To Hell in a Handbasket

This is the first time I have immersed myself in the work of this author, despite having heard quite a bit about her talent and reputation. The characters in the story are captivating, though there’s an underlying juvenile quality to them that lingers even as they transition into adulthood. The adults in the narrative often come across as vindictive, which adds a layer of complexity but can be frustrating at times. While the plot itself is engaging and constructed well, there are moments when it feels like crucial backstory and deeper character insights are missing. Personally, I’ve never been a fan of short chapters; they tend to disrupt the flow of the story for me, making it feel like I’m flipping through many more pages than necessary.

The narrative begins with Tim Robertson as a child, showcasing a poignant moment from his youth. Along with his best friend, Damien, Tim embarks on a small yet ambitious venture selling cookies in their neighborhood to raise funds for an upcoming field trip. One fateful day, after a rather underwhelming sales effort, the boys decide to approach one final house before an impending storm rolls in. This house, directly across the street from Tim’s own home, belongs to two elderly ladies who are known in the neighborhood for their distinctive blue 1957 Cadillac parked prominently out front. When Damien volunteers to go inside the house to collect payment for the cookies, he mysteriously never reappears. As Tim stands outside, feeling a growing sense of unease, the unexpected strikes: he is hit by lightning for the first time.

Fast forward twenty years, and Tim still grapples with the trauma and unanswered questions surrounding his friend’s disappearance. Now a married man with a son whom he has named after Damien, Tim finds it hard to shake off the shadows of his past. Life takes another twist when the house across the street is sold, and the new residents eerily resemble the same elderly ladies from his childhood. As Tim’s life begins to unravel, he seeks someone to blame, fixating on these women from the past. However, he learns that the cycles of blame and the thirst for vengeance can have unforeseen and devastating consequences.

While I had the impression that this story aimed to evoke fear, perhaps I’ve become too jaded or desensitized to be easily frightened. I do hope that as I delve deeper into more works by this author, the intensity and scariness increase. I suspect others might experience this narrative on a more visceral level, and I’m thankful for the opportunity to explore it. Enjoy the read, and brace yourself for what comes next…

My rating: 🦋🦋🦋🦋

“He couldn’t escape that eerie feeling in the bottom of his stomach. It had been there for a long time now. Since the day he pulled that triathlete out of the river. It was like he was just waiting for something terrible to happen, like his entire life was on a direct course for disaster. What was it his grandmother always called it? Oh, yeah—it felt like it was all going to Hell in a Handbasket.”

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Nightmares and Dreamscapes Vol. 1

I recently delved into a captivating anthology that presents an impressive collection of stories, each showcasing the diverse talents of various narrators. While I found the overall experience enjoyable, I hesitated to assign it a perfect rating of 5 stars. After careful consideration and evaluation of each story on its own merits, my average rating settled around 3.7 stars. However, in keeping with the practice of rounding up, I ultimately decided on a final score that reflects my appreciation for the anthology as a whole.

The anthology is thoughtfully divided into three distinct volumes, and the first volume neatly contains eight stories of varying lengths. Each narrative offers its own unique flavor, aided by a talented ensemble of narrators who breathe life into the tales with their distinctive vocal skills. One of my personal joys while listening was attempting to guess the identity of each narrator based solely on their signature voices—a delightful challenge that added another layer to my listening experience.

Among the standout stories in this volume is “Suffer the Little Children,” masterfully narrated by the esteemed Whoopi Goldberg. This chilling tale centers on Mrs. Sidley, a long-serving teacher who begins to notice unsettling changes in her classroom, particularly in her students’ behaviors. Her initial attempts to maintain control spiral into a desperate struggle as she attempts to confront these disturbing developments, leading to a narrative that is as gripping as it is unsettling. I rated this story a respectable 3 stars, appreciating Goldberg’s ability to impart a sense of dread and urgency to the narrative.

Another noteworthy piece is “Crouch End,” brought to life by the iconic Tim Curry. In this story, we are introduced to an unassuming small town that conceals a menacing secret beneath its surface. As unsuspecting visitors wander through its streets, they are blissfully unaware that the town harbors dangers from which not all can escape. Curry’s compelling narration enhances the eerie atmosphere, skillfully drawing listeners into the tension of the unfolding plot. I was thoroughly impressed, giving this tale a solid rating of 4 stars.

Then there’s “Rainy Season,” narrated by the talented Yeardley Smith, which transports listeners to a quaint Maine town where the locals are acutely aware of the perils associated with a once-in-seven-year rain. Tourists, however, often dismiss the ominous warnings and venture out, leading to terrifying consequences as the dread of the coming rainy season looms ever closer. The sheer intensity and build-up of this chilling thriller deserved every bit of its 5-star rating, and I found myself completely engrossed in the impending doom.

“Dolan’s Cadillac,” narrated by the charismatic Rob Lowe, presents a riveting tale of revenge steeped in tension and dark undertones. Following the brutal murder of a man’s wife—who planned to testify against a ruthless mobster—the protagonist embarks on an elaborate, meticulous scheme to avenge her death. As the plot unfolds, the tension escalates remarkably, particularly as Dolan continues to navigate a life of anonymity, ostensibly evading the repercussions of his heinous actions. This powerful narrative struck a chord with me, earning a notable rating of 4.5 stars for its compelling storytelling and depth of emotion.

In “The House on Maple Street,” narrated by the accomplished Tabitha King, readers follow the Bradbury children as they return home after an extended summer abroad, only to discover something unsettling lurking within their family abode. As they grapple with this eerie and unexpected development, they craft a plan to use this strange phenomenon to confront the emotional turmoil that has taken root in their lives. This intriguing story resonated with me, leading to a thoughtful rating of 3.5 stars as I appreciated its blend of suspense and familial dynamics.

“Umney’s Last Case,” read by the renowned Robert B. Parker, draws listeners into a noir-inspired world where Clyde Umney, a hard-boiled detective, finds his reality shifting in ways that defy his understanding. His encounter with a character named Sam Landry, who shares a poignant reflection on life and the complexities of existence, propels Umney into an existential journey that explores the boundaries of fiction and reality. This complex narrative was engaging, and I awarded it a rating of 4 stars for its deep thematic exploration.

Stephen King also contributes a piece titled “Head Down,” which departs from the traditional short story format and instead presents an essay that delves into the nuances of Little League Baseball. As someone who has never held a particular fondness for baseball, I found this essay to be somewhat lengthy and tedious, leading to a rating of 2.5 stars. It simply did not resonate with me as much as the other narratives.

Lastly, we encounter “Brooklyn August,” which is presented as a poem exploring the theme of baseball. While it offers a unique perspective, it ultimately received a rating of 2.5 stars due to its specialized nature, which might not appeal to all readers or listeners.

In summary, this anthology delivers a rich tapestry of compelling narratives that cater to a variety of tastes. Most of the stories are engaging, and as a long-time admirer of Stephen King’s work, I found this collection to be a rewarding listening experience. I would strongly encourage fans of the genre to consider exploring this anthology, as it has something to offer for many, ranging from eerie thrillers to contemplative explorations of life.

My rating: ⍣⍣⍣⍣

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Four Past Midnight

Based on an average of my rating it comes to 3.4 stars for the entire book.

I’ve revisited some familiar stories recently, and I’ve found that listening to audiobooks adds a unique dimension to the experience. The nuanced performances by various narrators bring elements of the tales to life in unexpected ways. Each narrator infuses their own style, which can significantly alter the listener’s perception of the story. The variety of genres—ranging from fantasy to science fiction, and even horror—makes each listen an adventure in itself.

**4.5 stars: ‘The Langoliers’ narrated by Willem Dafoe.** This story remains one of my top favorites, a gripping staple that never fails to entertain me. Dafoe’s vocal delivery is fantastic; he possesses a remarkable ability to build tension, which is crucial as the passengers begin to unravel the mystery of their predicament. The narrative follows a routine flight that unexpectedly descends into terror as the characters grapple with their bizarre situation: they’ve become lost in an unsettling limbo, with no clue as to the fate of the other passengers. The ensemble cast portrays a diverse array of personalities, each contributing to the overall tension and suspense as they navigate their harrowing circumstances.

**2.5 stars: ‘Secret Window, Secret Garden’ narrated by James Woods.** Unfortunately, this story has never resonated with me, and my feelings haven’t changed in this audio format. Despite my appreciation for the source material, Woods’ narration falls a bit flat—it lacks the engaging energy I hoped for. The plot centers on a tense standoff between a writer and an enigmatic figure who claims that the story has been stolen from him, leading to dangerous consequences. While this concept draws parallels to other King tales I’ve enjoyed, it ultimately fails to stand out, leaving me wanting more depth and excitement.

**4.0 stars: ‘The Library Policeman’ narrated by Ken Howard.** Upon starting this narration, I couldn’t initially place Ken Howard, but once I recognized his distinctive voice, I became completely immersed. His performance was a joy to listen to, effectively bringing the characters and their eerie world to life. This slowly unfolding tale lingers with an unsettling sense of dread. The local library, typically a sanctuary for readers, is depicted as a place harboring dark secrets and lurking dangers. Howard expertly balances the mundane and the sinister, making for a vampire story that surprises with an ingeniously hidden twist. The characters are intricately developed, each contributing peculiarities that enhance the overall chilling narrative.

**2.5 stars: ‘The Sun Dog’ narrated by Tim Sample.** While I couldn’t recognize Tim Sample’s face, his narration is solid; he delivers the story well, even if it didn’t particularly captivate my attention. The pacing here is slow, evoking a sense of anticipation as it connects to other stories within the King universe, which I find intriguing. The plot revolves around a boy who receives a seemingly perfect camera as a birthday gift, but like many King stories, it hints at underlying ominous themes. As the boy interacts with the camera, he begins to unravel a potentially malevolent tale that he wishes to leave unfinished. Although I appreciated the connections to other narratives, the story didn’t quite hold my attention as much as I had hoped.

Listening to these stories, especially if you’ve read them before, is likely to evoke similar feelings and nostalgia. Stephen King has consistently offered me gripping tales throughout the years, and I keep returning to his work because of the satisfaction it brings. If you haven’t yet explored his audiobooks, I wholeheartedly encourage you to dive in—you’ll likely find as much to enjoy in the spoken word as you have in the written page!

My rating: 😚😚😚

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Last Writes

Last Writes
(Ghostwriter Mystery #3)
by C.A. Larmer

This was another good mystery but I had an idea of who the killer was before the end of the first chapter. It was still extremely well written and may not be so obvious to others.

Roxy’s manager has one of his old clients turn up dead and though it is originally thought to be a suicide it soon is being looked at as murder because of another of his clients. David Lone is a client of Oliver who has done very well for himself with both a best seller and movie deal. While Roxy is still angry with Max she starts to have feelings for David, mainly because of his fascination with death and success. Bad Roxy, being so shallow.

But the real problem is that after the first death more occur and it starts to look like poor Oliver is the prime suspect in all of the deaths. Roxy does not need to be asked, though she is, to help her old friend find a way out of his predicament. She does not believe he is guilty even though suspicion has fallen squarely on his shoulders.

Definitely worth reading!

My rating: 4 of 5 stars