This short story is a compelling introduction to a cast of characters who each grapple with their own challenges as they fight for survival in a post-apocalyptic world. Dan Morgan shines in his role as the narrator, artfully bringing each character to life through distinct vocal performances that truly capture their personalities and temperaments. The story artfully balances moments of gripping action and gore with light-hearted banter and genuine camaraderie among the survivors, which adds depth to their relationships.
As the story unfolds, we follow Howie and his band of survivors after a harrowing day spent fending off a relentless horde of undead. As the sun begins to set, casting eerie shadows over the abandoned landscape, they realize the urgent need to find a safe place to shelter from the impending night. In their search, they navigate through the desolate remnants of a once-bustling town, finally arriving at an industrial estate. Here, they manage to break into a seemingly forgotten building and stumble upon an old, abandoned radio station, which offers both a refuge and a poignant reminder of the world that once was.
Inside the radio station, the group decides to record their thoughts and experiences for posterity, leaving behind a testament to their struggles and resilience. This moment of reflection serves not only as a coping mechanism but also as a means to connect with whatever remains of humanity.
Among them, we’re introduced to Howie, the group’s de facto leader who carries the weight of responsibility; Dave, who provides a witty counterbalance to the tension; and Meredith, the loyal dog, who adds warmth and comfort to their grim journey.
This engaging narrative has certainly piqued my interest in the series, as I find myself already invested in the characters and eager to follow their adventures further.
This is the first time I have immersed myself in the work of this author, despite having heard quite a bit about her talent and reputation. The characters in the story are captivating, though there’s an underlying juvenile quality to them that lingers even as they transition into adulthood. The adults in the narrative often come across as vindictive, which adds a layer of complexity but can be frustrating at times. While the plot itself is engaging and constructed well, there are moments when it feels like crucial backstory and deeper character insights are missing. Personally, I’ve never been a fan of short chapters; they tend to disrupt the flow of the story for me, making it feel like I’m flipping through many more pages than necessary.
The narrative begins with Tim Robertson as a child, showcasing a poignant moment from his youth. Along with his best friend, Damien, Tim embarks on a small yet ambitious venture selling cookies in their neighborhood to raise funds for an upcoming field trip. One fateful day, after a rather underwhelming sales effort, the boys decide to approach one final house before an impending storm rolls in. This house, directly across the street from Tim’s own home, belongs to two elderly ladies who are known in the neighborhood for their distinctive blue 1957 Cadillac parked prominently out front. When Damien volunteers to go inside the house to collect payment for the cookies, he mysteriously never reappears. As Tim stands outside, feeling a growing sense of unease, the unexpected strikes: he is hit by lightning for the first time.
Fast forward twenty years, and Tim still grapples with the trauma and unanswered questions surrounding his friend’s disappearance. Now a married man with a son whom he has named after Damien, Tim finds it hard to shake off the shadows of his past. Life takes another twist when the house across the street is sold, and the new residents eerily resemble the same elderly ladies from his childhood. As Tim’s life begins to unravel, he seeks someone to blame, fixating on these women from the past. However, he learns that the cycles of blame and the thirst for vengeance can have unforeseen and devastating consequences.
While I had the impression that this story aimed to evoke fear, perhaps I’ve become too jaded or desensitized to be easily frightened. I do hope that as I delve deeper into more works by this author, the intensity and scariness increase. I suspect others might experience this narrative on a more visceral level, and I’m thankful for the opportunity to explore it. Enjoy the read, and brace yourself for what comes next…
My rating: 🦋🦋🦋🦋
“He couldn’t escape that eerie feeling in the bottom of his stomach. It had been there for a long time now. Since the day he pulled that triathlete out of the river. It was like he was just waiting for something terrible to happen, like his entire life was on a direct course for disaster. What was it his grandmother always called it? Oh, yeah—it felt like it was all going to Hell in a Handbasket.”
I recently delved into a captivating anthology that presents an impressive collection of stories, each showcasing the diverse talents of various narrators. While I found the overall experience enjoyable, I hesitated to assign it a perfect rating of 5 stars. After careful consideration and evaluation of each story on its own merits, my average rating settled around 3.7 stars. However, in keeping with the practice of rounding up, I ultimately decided on a final score that reflects my appreciation for the anthology as a whole.
The anthology is thoughtfully divided into three distinct volumes, and the first volume neatly contains eight stories of varying lengths. Each narrative offers its own unique flavor, aided by a talented ensemble of narrators who breathe life into the tales with their distinctive vocal skills. One of my personal joys while listening was attempting to guess the identity of each narrator based solely on their signature voices—a delightful challenge that added another layer to my listening experience.
Among the standout stories in this volume is “Suffer the Little Children,” masterfully narrated by the esteemed Whoopi Goldberg. This chilling tale centers on Mrs. Sidley, a long-serving teacher who begins to notice unsettling changes in her classroom, particularly in her students’ behaviors. Her initial attempts to maintain control spiral into a desperate struggle as she attempts to confront these disturbing developments, leading to a narrative that is as gripping as it is unsettling. I rated this story a respectable 3 stars, appreciating Goldberg’s ability to impart a sense of dread and urgency to the narrative.
Another noteworthy piece is “Crouch End,” brought to life by the iconic Tim Curry. In this story, we are introduced to an unassuming small town that conceals a menacing secret beneath its surface. As unsuspecting visitors wander through its streets, they are blissfully unaware that the town harbors dangers from which not all can escape. Curry’s compelling narration enhances the eerie atmosphere, skillfully drawing listeners into the tension of the unfolding plot. I was thoroughly impressed, giving this tale a solid rating of 4 stars.
Then there’s “Rainy Season,” narrated by the talented Yeardley Smith, which transports listeners to a quaint Maine town where the locals are acutely aware of the perils associated with a once-in-seven-year rain. Tourists, however, often dismiss the ominous warnings and venture out, leading to terrifying consequences as the dread of the coming rainy season looms ever closer. The sheer intensity and build-up of this chilling thriller deserved every bit of its 5-star rating, and I found myself completely engrossed in the impending doom.
“Dolan’s Cadillac,” narrated by the charismatic Rob Lowe, presents a riveting tale of revenge steeped in tension and dark undertones. Following the brutal murder of a man’s wife—who planned to testify against a ruthless mobster—the protagonist embarks on an elaborate, meticulous scheme to avenge her death. As the plot unfolds, the tension escalates remarkably, particularly as Dolan continues to navigate a life of anonymity, ostensibly evading the repercussions of his heinous actions. This powerful narrative struck a chord with me, earning a notable rating of 4.5 stars for its compelling storytelling and depth of emotion.
In “The House on Maple Street,” narrated by the accomplished Tabitha King, readers follow the Bradbury children as they return home after an extended summer abroad, only to discover something unsettling lurking within their family abode. As they grapple with this eerie and unexpected development, they craft a plan to use this strange phenomenon to confront the emotional turmoil that has taken root in their lives. This intriguing story resonated with me, leading to a thoughtful rating of 3.5 stars as I appreciated its blend of suspense and familial dynamics.
“Umney’s Last Case,” read by the renowned Robert B. Parker, draws listeners into a noir-inspired world where Clyde Umney, a hard-boiled detective, finds his reality shifting in ways that defy his understanding. His encounter with a character named Sam Landry, who shares a poignant reflection on life and the complexities of existence, propels Umney into an existential journey that explores the boundaries of fiction and reality. This complex narrative was engaging, and I awarded it a rating of 4 stars for its deep thematic exploration.
Stephen King also contributes a piece titled “Head Down,” which departs from the traditional short story format and instead presents an essay that delves into the nuances of Little League Baseball. As someone who has never held a particular fondness for baseball, I found this essay to be somewhat lengthy and tedious, leading to a rating of 2.5 stars. It simply did not resonate with me as much as the other narratives.
Lastly, we encounter “Brooklyn August,” which is presented as a poem exploring the theme of baseball. While it offers a unique perspective, it ultimately received a rating of 2.5 stars due to its specialized nature, which might not appeal to all readers or listeners.
In summary, this anthology delivers a rich tapestry of compelling narratives that cater to a variety of tastes. Most of the stories are engaging, and as a long-time admirer of Stephen King’s work, I found this collection to be a rewarding listening experience. I would strongly encourage fans of the genre to consider exploring this anthology, as it has something to offer for many, ranging from eerie thrillers to contemplative explorations of life.
I made a bit of a mistake by diving into this book before reading the first one in the series—something I’ve done once or twice before. This choice made following some of the plot points and character arcs a bit challenging, yet overall, I found it manageable. However, the pacing of the narrative left something to be desired. At times, the story moved along at a rapid pace, enticing me to read more, only to slow down significantly in certain sections, which affected my engagement.
The characters themselves were well-crafted, but since I missed some of the character development from the previous book, I felt a slight disconnect. Still, the author does provide enough context to give readers a sense of who these individuals are supposed to be, which helped. The world-building is commendable; the towns and countries portrayed in this narrative offer a fresh perspective, straying from the typical settings we often encounter in post-apocalyptic fiction. I particularly appreciated the references to “Stranger in a Strange Land,” one of my all-time favorite science fiction novels. The parallels between that classic and the experiences faced by the characters in this book were striking and resonated well with the themes of alienation and survival.
The story is set against the backdrop of a world irrevocably changed after the dead rose thirty years ago, resulting in the collapse of civilization as we knew it. The devastation left many perished, and those who survived faced the formidable task of rebuilding in the ashes of the old world. The new societies that emerged were often harsh and unforgiving, with governance that could be described as barbaric. In some instances, the punishments meted out seemed disproportionately severe compared to the crimes committed, reflecting a grim reality.
Off the coast of Texas, there lies an island that seems to offer a glimmer of hope for three weary travelers. This refuge could potentially provide salvation for some communities that have struggled to cope with the harshness of their new existence. Yet, typical of seemingly idyllic places, the island harbors dark secrets that are waiting to be unearthed. As our trio begins to uncover the unsettling truths lurking beneath the surface, they face a moral dilemma about how to respond to the shocking developments they learn about.
While I found this book to be a decent read, I must emphasize the importance of starting with the first novel in the series. There are numerous layers to unpack in this story, rich with political intrigue, fascinating technological advancements, and the resilience of ordinary people who have endured thirty years of survival in a transformed world. Having read the first book would have undoubtedly enhanced my understanding and appreciation of the complexities woven throughout this narrative.
My rating: 🌟🌟🌟
“Yeah, I know, and that’s the deal here. Jacob, the thing with you is that you look at every problem you see like it’s a nail, and you’ve got the world’s only hammer.” “What? What in the hell does that mean?” “Jacob, don’t yell at me.” “I’m not . . .” He stopped for a second, took a breath, and tried again. “I’m sorry. I didn’t mean to yell. It’s just, sometimes, I have no idea what you’re talking about.” “It’s a Mark Twain quote. ‘To a man with a hammer, everything looks like a nail.’ ”
In evaluating the collection, I would assign an average rating of 4.14 stars, which reflects my personal enjoyment of the individual stories contained within. As one might anticipate in an anthology of this nature, there are stories that shine brightly, others that falter, and a range of narratives that occupy the middle ground. With a total of twenty-nine stories of varying lengths and themes, readers are likely to find selections that resonate with their tastes. However, if you’re specifically seeking something frightening or suspenseful, I must advise against this book, as I found none of the tales genuinely eerie or terrifying. Though it features an ensemble of killers and a certain atmospheric quality, it lacks the spine-chilling thrills that typically accompany horror stories. The only thing that might send shivers down your spine would be the idea of encountering a man in a red suit during the dark of night.
Among the 29 stories, I discovered four that truly captivated me while the remainder fell into the category of mediocre.
One standout is “Tommy’s Christmas” by John R. Little, which presents a compelling twist on the holiday theme. The narrative follows a burglar disguised as Santa Claus who mistakenly invades the wrong home on what is supposed to be a joyous occasion. While the story doesn’t delve into the realm of horror, the clever twist at the end offers a satisfying surprise that elevates the overall experience.
Another noteworthy entry is “The Christmas Spirit” by Lisa Morton. This story explores the unraveling marriage of a couple who, in an effort to rekindle their connection, escape to the rustic country home of an aunt. Upon their arrival, they come across an old book that provides enjoyable entertainment until the plot thickens and complications arise. The story weaves a subtle gothic atmosphere throughout, effectively enhancing the emotional depth and tension as the couple’s adventure unfolds.
These stories, while not overtly scary, each offer unique elements that enrich the anthology, making them stand out among their peers.
‘Psychopathic Remix’ by J.C. Michael I found to be the most fun and macabre thing in this anthology. The Twelve Days of Christmas with a killer twist. I sang instead of just reading it and it was fun.
‘Deck The Halls by Xtina Marie is a nice poem that I liked and think that everyone else will too.
I found the above to be the most creative out the bunch though there were others that were good in their own way.
I would likely have rated this book five stars if not for its somewhat slow start; however, once it gained momentum, I found it impossible to put down. The characters are exceptionally well-developed, and as I delved deeper into the story, I genuinely grew attached to their fates. Initially, the main character comes off as somewhat naive and childish, particularly in her attempts to rationalize the unexpected inheritance she has received. Yet, as the narrative unfolds, she gradually evolves into a more mature and relatable figure.
The setting of the story is a small town, which I believe is portrayed quite authentically based on typical small-town dynamics. The plot centers on Adrienne, who unexpectedly inherits Ashburn House from an aunt she had no idea existed, as her mother had always claimed that their family tree ended with her. Adrienne initially dismissed a vivid dream she had about the house as mere fantasy, only to discover that the dream was a prelude to this shocking reality—now the house belongs to her.
However, the seemingly idyllic inheritance is shadowed by ominous rumors and chilling myths surrounding both the house and her late aunt. The narrative reveals a dark history; the town has been haunted by a gruesome family murder committed many years ago, with no one ever brought to justice, and this haunting legacy looms over its residents like a dark cloud. As Adrienne unravels the secrets of her new home, she begins to confront the possibility of ghosts, both literal and metaphorical, as she fights to escape the eerie fate that seems ready to ensnare her.
The ending truly captivated me, completely blindsiding me with a twist I never saw coming. It’s a masterful turn of events that adds an incredible layer to the story. I wholeheartedly hope that others who read this book find as much enjoyment in it as I did!
I would officially rate this book at 2.5 stars, primarily because it isn’t the absolute worst thing I’ve read this year, but it’s certainly a contender for that unenviable title. My expectations may have been a bit too high after encountering a number of enthusiastic reviews—though I admit I read those reviews after I had already begun the book. The praise floating around in those comments led me to believe that I was merely waiting for the narrative to reach its more compelling moments. While the initial chapters were relatively decent and began with a promising pace, the story quickly stumbled as the character development devolved into something quite one-dimensional.
Written in the first-person perspective, the story unfolds through the eyes of a man and his dog, creating a framework that allows for only a handful of supporting characters to make appearances. Given this limited cast, I anticipated a higher degree of action or at least an engaging narrative style that would provide insights and explanations for the disturbing events taking place. Unfortunately, I found none of these elements to materialize throughout the narrative.
It all kicked off with the ominous beat of a drum in mid-April 2011, after which the monsters emerged and triggered a cataclysm that transformed life as we know it. The protagonist, bewildered and disoriented, struggles to comprehend the unfolding chaos as the world morphs into a place that becomes increasingly green and sweltering with each passing day, while the nights devolve into harrowing episodes of evasion and survival.
I was genuinely intrigued by the premise of the book, and I found myself emotionally invested in the dog—perhaps even more so than the human character. This phenomenon is telling, as the human protagonist left little impression on me; I cannot even recall if he divulged his name at any point, which underscores how detached I felt from him. In stark contrast, the dog’s name remains vivid in my mind, along with the endearing moments it brought to the story.
The writing itself is marred by numerous grammatical and spelling errors, alongside instances of word misuse that grew increasingly distracting, though some could be overlooked. To summarize, while the book had its moments and was certainly not devoid of merit, it ultimately fell flat for me personally. It took me a painstakingly long 20 days to finish, as I could only manage to read it in short spurts. Additionally, the monsters that were supposed to evoke fear failed to do so, lacking the terrifying essence that I had hoped for.
In the end, it’s all up to you to decide whether to give it a go; it simply wasn’t my cup of tea.
I thoroughly enjoyed this captivating story, and I found myself immersed in the characters as they were gradually introduced. Last year, I read book 11, drawn in by its Christmas setting, which made it a perfect addition to my holiday reading list. I enjoyed it so much that I was eager to journey back to the beginning to uncover the origins of these characters and understand their development leading up to that point.
From the very first page, the narrative held my attention with its charm, despite its relatively simple and straightforward plot. The main characters are vividly portrayed, making it easy to connect with their personalities right away. The world they inhabit feels remarkably familiar—akin to our own lives—which adds an extra layer of relatability. Although there were a few moments of confusion regarding which character was speaking, that was a minor issue in an otherwise engaging story.
At the center of the tale is Steven Hall, a character who has always been dubious about anything supernatural or paranormal. His skepticism even extends to religion, shaped by his mother’s intense obsession. This aspect of his upbringing provides a deeper understanding of his complex personality. Upon purchasing an old house, Steven suddenly finds himself tormented by the restless spirits of murdered children. This eerie experience begins to challenge and sway his long-held views on the unseen world around him.
Desperate for answers and support, Steven turns to his father, Roy, who has always possessed a sense of the extraordinary that Steven never quite understood. Roy steps in to assist his son in confronting the malevolent entities haunting their home while simultaneously guiding him toward discovering his own latent abilities regarding the supernatural. Yet, as is often the case, just when they begin to find clarity, their situation seems to spiral further into chaos.
I wholeheartedly recommend this book, as I found it to be an enjoyable read, and I believe the series will only grow increasingly rich and engaging as it progresses. Dive into the River and enjoy the adventure that awaits!
My rating is an average of the 20 narratives included within its pages. It took me a rigorous four months to work my way through this book—a testament to my determination to reach the end, despite the challenges I faced. Many of the stories felt rather uninspired, making them a struggle to engage with, especially when even the shorter tales seemed to drag. A couple of times, I found myself setting the book aside in favor of other activities, as I was desperately in need of a break from the lackluster content.
Fortunately, the final four stories were engaging enough to carry me through the finish line, with a few memorable entries sprinkled in the middle that reignited my interest and encouraged me to persist. However, I must confess that I found these tales to be far from terrifying. Perhaps some readers might encounter a jump or two; however, they failed to evoke any genuine fear in me.
I cannot wholeheartedly recommend this anthology, as the experience of reading it felt like an arduous journey rather than an enjoyable escape. Interestingly, I had previously read works from only one of the featured authors, whose contribution I appreciated—even if it was quite mild in its thrill.
In summary, this collection may be worth a read if you’re curious about what these authors consider frightening, but be prepared for an underwhelming experience, as it appears they possess a notably low threshold for true horror. I’m ready to move on!
Based on an average of my rating it comes to 3.4 stars for the entire book.
I’ve revisited some familiar stories recently, and I’ve found that listening to audiobooks adds a unique dimension to the experience. The nuanced performances by various narrators bring elements of the tales to life in unexpected ways. Each narrator infuses their own style, which can significantly alter the listener’s perception of the story. The variety of genres—ranging from fantasy to science fiction, and even horror—makes each listen an adventure in itself.
**4.5 stars: ‘The Langoliers’ narrated by Willem Dafoe.** This story remains one of my top favorites, a gripping staple that never fails to entertain me. Dafoe’s vocal delivery is fantastic; he possesses a remarkable ability to build tension, which is crucial as the passengers begin to unravel the mystery of their predicament. The narrative follows a routine flight that unexpectedly descends into terror as the characters grapple with their bizarre situation: they’ve become lost in an unsettling limbo, with no clue as to the fate of the other passengers. The ensemble cast portrays a diverse array of personalities, each contributing to the overall tension and suspense as they navigate their harrowing circumstances.
**2.5 stars: ‘Secret Window, Secret Garden’ narrated by James Woods.** Unfortunately, this story has never resonated with me, and my feelings haven’t changed in this audio format. Despite my appreciation for the source material, Woods’ narration falls a bit flat—it lacks the engaging energy I hoped for. The plot centers on a tense standoff between a writer and an enigmatic figure who claims that the story has been stolen from him, leading to dangerous consequences. While this concept draws parallels to other King tales I’ve enjoyed, it ultimately fails to stand out, leaving me wanting more depth and excitement.
**4.0 stars: ‘The Library Policeman’ narrated by Ken Howard.** Upon starting this narration, I couldn’t initially place Ken Howard, but once I recognized his distinctive voice, I became completely immersed. His performance was a joy to listen to, effectively bringing the characters and their eerie world to life. This slowly unfolding tale lingers with an unsettling sense of dread. The local library, typically a sanctuary for readers, is depicted as a place harboring dark secrets and lurking dangers. Howard expertly balances the mundane and the sinister, making for a vampire story that surprises with an ingeniously hidden twist. The characters are intricately developed, each contributing peculiarities that enhance the overall chilling narrative.
**2.5 stars: ‘The Sun Dog’ narrated by Tim Sample.** While I couldn’t recognize Tim Sample’s face, his narration is solid; he delivers the story well, even if it didn’t particularly captivate my attention. The pacing here is slow, evoking a sense of anticipation as it connects to other stories within the King universe, which I find intriguing. The plot revolves around a boy who receives a seemingly perfect camera as a birthday gift, but like many King stories, it hints at underlying ominous themes. As the boy interacts with the camera, he begins to unravel a potentially malevolent tale that he wishes to leave unfinished. Although I appreciated the connections to other narratives, the story didn’t quite hold my attention as much as I had hoped.
Listening to these stories, especially if you’ve read them before, is likely to evoke similar feelings and nostalgia. Stephen King has consistently offered me gripping tales throughout the years, and I keep returning to his work because of the satisfaction it brings. If you haven’t yet explored his audiobooks, I wholeheartedly encourage you to dive in—you’ll likely find as much to enjoy in the spoken word as you have in the written page!
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