This short story is a compelling introduction to a cast of characters who each grapple with their own challenges as they fight for survival in a post-apocalyptic world. Dan Morgan shines in his role as the narrator, artfully bringing each character to life through distinct vocal performances that truly capture their personalities and temperaments. The story artfully balances moments of gripping action and gore with light-hearted banter and genuine camaraderie among the survivors, which adds depth to their relationships.
As the story unfolds, we follow Howie and his band of survivors after a harrowing day spent fending off a relentless horde of undead. As the sun begins to set, casting eerie shadows over the abandoned landscape, they realize the urgent need to find a safe place to shelter from the impending night. In their search, they navigate through the desolate remnants of a once-bustling town, finally arriving at an industrial estate. Here, they manage to break into a seemingly forgotten building and stumble upon an old, abandoned radio station, which offers both a refuge and a poignant reminder of the world that once was.
Inside the radio station, the group decides to record their thoughts and experiences for posterity, leaving behind a testament to their struggles and resilience. This moment of reflection serves not only as a coping mechanism but also as a means to connect with whatever remains of humanity.
Among them, we’re introduced to Howie, the group’s de facto leader who carries the weight of responsibility; Dave, who provides a witty counterbalance to the tension; and Meredith, the loyal dog, who adds warmth and comfort to their grim journey.
This engaging narrative has certainly piqued my interest in the series, as I find myself already invested in the characters and eager to follow their adventures further.
This is the first time I have immersed myself in the work of this author, despite having heard quite a bit about her talent and reputation. The characters in the story are captivating, though there’s an underlying juvenile quality to them that lingers even as they transition into adulthood. The adults in the narrative often come across as vindictive, which adds a layer of complexity but can be frustrating at times. While the plot itself is engaging and constructed well, there are moments when it feels like crucial backstory and deeper character insights are missing. Personally, I’ve never been a fan of short chapters; they tend to disrupt the flow of the story for me, making it feel like I’m flipping through many more pages than necessary.
The narrative begins with Tim Robertson as a child, showcasing a poignant moment from his youth. Along with his best friend, Damien, Tim embarks on a small yet ambitious venture selling cookies in their neighborhood to raise funds for an upcoming field trip. One fateful day, after a rather underwhelming sales effort, the boys decide to approach one final house before an impending storm rolls in. This house, directly across the street from Tim’s own home, belongs to two elderly ladies who are known in the neighborhood for their distinctive blue 1957 Cadillac parked prominently out front. When Damien volunteers to go inside the house to collect payment for the cookies, he mysteriously never reappears. As Tim stands outside, feeling a growing sense of unease, the unexpected strikes: he is hit by lightning for the first time.
Fast forward twenty years, and Tim still grapples with the trauma and unanswered questions surrounding his friend’s disappearance. Now a married man with a son whom he has named after Damien, Tim finds it hard to shake off the shadows of his past. Life takes another twist when the house across the street is sold, and the new residents eerily resemble the same elderly ladies from his childhood. As Tim’s life begins to unravel, he seeks someone to blame, fixating on these women from the past. However, he learns that the cycles of blame and the thirst for vengeance can have unforeseen and devastating consequences.
While I had the impression that this story aimed to evoke fear, perhaps I’ve become too jaded or desensitized to be easily frightened. I do hope that as I delve deeper into more works by this author, the intensity and scariness increase. I suspect others might experience this narrative on a more visceral level, and I’m thankful for the opportunity to explore it. Enjoy the read, and brace yourself for what comes next…
My rating: 🦋🦋🦋🦋
“He couldn’t escape that eerie feeling in the bottom of his stomach. It had been there for a long time now. Since the day he pulled that triathlete out of the river. It was like he was just waiting for something terrible to happen, like his entire life was on a direct course for disaster. What was it his grandmother always called it? Oh, yeah—it felt like it was all going to Hell in a Handbasket.”
I recently delved into a captivating anthology that presents an impressive collection of stories, each showcasing the diverse talents of various narrators. While I found the overall experience enjoyable, I hesitated to assign it a perfect rating of 5 stars. After careful consideration and evaluation of each story on its own merits, my average rating settled around 3.7 stars. However, in keeping with the practice of rounding up, I ultimately decided on a final score that reflects my appreciation for the anthology as a whole.
The anthology is thoughtfully divided into three distinct volumes, and the first volume neatly contains eight stories of varying lengths. Each narrative offers its own unique flavor, aided by a talented ensemble of narrators who breathe life into the tales with their distinctive vocal skills. One of my personal joys while listening was attempting to guess the identity of each narrator based solely on their signature voices—a delightful challenge that added another layer to my listening experience.
Among the standout stories in this volume is “Suffer the Little Children,” masterfully narrated by the esteemed Whoopi Goldberg. This chilling tale centers on Mrs. Sidley, a long-serving teacher who begins to notice unsettling changes in her classroom, particularly in her students’ behaviors. Her initial attempts to maintain control spiral into a desperate struggle as she attempts to confront these disturbing developments, leading to a narrative that is as gripping as it is unsettling. I rated this story a respectable 3 stars, appreciating Goldberg’s ability to impart a sense of dread and urgency to the narrative.
Another noteworthy piece is “Crouch End,” brought to life by the iconic Tim Curry. In this story, we are introduced to an unassuming small town that conceals a menacing secret beneath its surface. As unsuspecting visitors wander through its streets, they are blissfully unaware that the town harbors dangers from which not all can escape. Curry’s compelling narration enhances the eerie atmosphere, skillfully drawing listeners into the tension of the unfolding plot. I was thoroughly impressed, giving this tale a solid rating of 4 stars.
Then there’s “Rainy Season,” narrated by the talented Yeardley Smith, which transports listeners to a quaint Maine town where the locals are acutely aware of the perils associated with a once-in-seven-year rain. Tourists, however, often dismiss the ominous warnings and venture out, leading to terrifying consequences as the dread of the coming rainy season looms ever closer. The sheer intensity and build-up of this chilling thriller deserved every bit of its 5-star rating, and I found myself completely engrossed in the impending doom.
“Dolan’s Cadillac,” narrated by the charismatic Rob Lowe, presents a riveting tale of revenge steeped in tension and dark undertones. Following the brutal murder of a man’s wife—who planned to testify against a ruthless mobster—the protagonist embarks on an elaborate, meticulous scheme to avenge her death. As the plot unfolds, the tension escalates remarkably, particularly as Dolan continues to navigate a life of anonymity, ostensibly evading the repercussions of his heinous actions. This powerful narrative struck a chord with me, earning a notable rating of 4.5 stars for its compelling storytelling and depth of emotion.
In “The House on Maple Street,” narrated by the accomplished Tabitha King, readers follow the Bradbury children as they return home after an extended summer abroad, only to discover something unsettling lurking within their family abode. As they grapple with this eerie and unexpected development, they craft a plan to use this strange phenomenon to confront the emotional turmoil that has taken root in their lives. This intriguing story resonated with me, leading to a thoughtful rating of 3.5 stars as I appreciated its blend of suspense and familial dynamics.
“Umney’s Last Case,” read by the renowned Robert B. Parker, draws listeners into a noir-inspired world where Clyde Umney, a hard-boiled detective, finds his reality shifting in ways that defy his understanding. His encounter with a character named Sam Landry, who shares a poignant reflection on life and the complexities of existence, propels Umney into an existential journey that explores the boundaries of fiction and reality. This complex narrative was engaging, and I awarded it a rating of 4 stars for its deep thematic exploration.
Stephen King also contributes a piece titled “Head Down,” which departs from the traditional short story format and instead presents an essay that delves into the nuances of Little League Baseball. As someone who has never held a particular fondness for baseball, I found this essay to be somewhat lengthy and tedious, leading to a rating of 2.5 stars. It simply did not resonate with me as much as the other narratives.
Lastly, we encounter “Brooklyn August,” which is presented as a poem exploring the theme of baseball. While it offers a unique perspective, it ultimately received a rating of 2.5 stars due to its specialized nature, which might not appeal to all readers or listeners.
In summary, this anthology delivers a rich tapestry of compelling narratives that cater to a variety of tastes. Most of the stories are engaging, and as a long-time admirer of Stephen King’s work, I found this collection to be a rewarding listening experience. I would strongly encourage fans of the genre to consider exploring this anthology, as it has something to offer for many, ranging from eerie thrillers to contemplative explorations of life.
I made a bit of a mistake by diving into this book before reading the first one in the series—something I’ve done once or twice before. This choice made following some of the plot points and character arcs a bit challenging, yet overall, I found it manageable. However, the pacing of the narrative left something to be desired. At times, the story moved along at a rapid pace, enticing me to read more, only to slow down significantly in certain sections, which affected my engagement.
The characters themselves were well-crafted, but since I missed some of the character development from the previous book, I felt a slight disconnect. Still, the author does provide enough context to give readers a sense of who these individuals are supposed to be, which helped. The world-building is commendable; the towns and countries portrayed in this narrative offer a fresh perspective, straying from the typical settings we often encounter in post-apocalyptic fiction. I particularly appreciated the references to “Stranger in a Strange Land,” one of my all-time favorite science fiction novels. The parallels between that classic and the experiences faced by the characters in this book were striking and resonated well with the themes of alienation and survival.
The story is set against the backdrop of a world irrevocably changed after the dead rose thirty years ago, resulting in the collapse of civilization as we knew it. The devastation left many perished, and those who survived faced the formidable task of rebuilding in the ashes of the old world. The new societies that emerged were often harsh and unforgiving, with governance that could be described as barbaric. In some instances, the punishments meted out seemed disproportionately severe compared to the crimes committed, reflecting a grim reality.
Off the coast of Texas, there lies an island that seems to offer a glimmer of hope for three weary travelers. This refuge could potentially provide salvation for some communities that have struggled to cope with the harshness of their new existence. Yet, typical of seemingly idyllic places, the island harbors dark secrets that are waiting to be unearthed. As our trio begins to uncover the unsettling truths lurking beneath the surface, they face a moral dilemma about how to respond to the shocking developments they learn about.
While I found this book to be a decent read, I must emphasize the importance of starting with the first novel in the series. There are numerous layers to unpack in this story, rich with political intrigue, fascinating technological advancements, and the resilience of ordinary people who have endured thirty years of survival in a transformed world. Having read the first book would have undoubtedly enhanced my understanding and appreciation of the complexities woven throughout this narrative.
My rating: 🌟🌟🌟
“Yeah, I know, and that’s the deal here. Jacob, the thing with you is that you look at every problem you see like it’s a nail, and you’ve got the world’s only hammer.” “What? What in the hell does that mean?” “Jacob, don’t yell at me.” “I’m not . . .” He stopped for a second, took a breath, and tried again. “I’m sorry. I didn’t mean to yell. It’s just, sometimes, I have no idea what you’re talking about.” “It’s a Mark Twain quote. ‘To a man with a hammer, everything looks like a nail.’ ”
I have been an avid reader of this series since its inception, and with each new installment, my investment in the story and characters has only deepened. The author has crafted characters with such depth and complexity that they resonate deeply with me. Their emotional journeys and distinct personalities are captivating, making it nearly impossible to resist becoming attached to them. While my only critique might be that some subplots are fairly predictable—though that could simply be my perspective—I find that this does not significantly diminish my overall enjoyment of the story. In fact, the intricate backgrounds and well-developed supporting characters enhance the narrative, adding richness and depth to the overarching tale being told.
At the heart of this series is Trace, a character who has spent his life in search of various things, including his true mate and a mentor who can help him harness the potent power within him. With Micah, Trace discovers a dominant partner capable of providing the grounding he has long sought. Yet, finding his mate feels more like a distant dream than a reality, as the journey to connect with one’s true partner can sometimes span multiple lifetimes.
This story revolves around two individuals grappling with trust issues and struggles to connect with others. Cordray, for instance, harbors many secrets from those around her—ranging from her mysterious parentage to the affliction that has shadowed her life for an astounding 800 years. Similarly, Trace battles with his own demons on a daily basis, primarily the overwhelming guilt he carries from the loss of his mother.
I’ve had a strong affinity for Trace since his initial introduction, but I found it more challenging to warm up to Cordray, much like Micah, due to her abrasive and seemingly unlikable demeanor at first. This was especially difficult to reconcile given that she is introduced as the love interest of my favorite bald vampire. However, as the narrative unfolds, it becomes clear that there is more beneath her tough exterior, and her character begins to evolve.
Overall, this series stands out as a remarkable journey filled with a diverse cast of characters and unexpected twists that will keep you reading well into the night, defying the constraints of bedtime.
This is a new author with an interesting way of telling a story. This is a short story and while it is pretty good it does lack in certain ways. The grammar and sentence structure is sometimes awkward along with some spelling issues. The place and time are very nebulous and that makes things unclear. I mean that we cannot be sure if this Earth, another planet, deep in the past or a version of the future. I would also have liked to have a bit more about the victims as well as getting some background on the investigator himself.
I do like the concept of a magical agency that polices the use of black magic. While the mystery this time was a fairly simple one and easily figured I am hopeful that they will become more nuanced as time goes on and the writer becomes more relaxed with his character. I see a lot of room for growth and look forward to what is next.
When Edwin and Marlis Reids are killed by black magic OBDY Wade Falx of Black Dove Yard is sent to find out who committed the crime. The Reids were an adventurous couple who traveled in the nearby forests. When they decided to settle down they built a park for children to help educate them on nature. Then one day out of the blue they were found murdered by dark magic.
In evaluating the collection, I would assign an average rating of 4.14 stars, which reflects my personal enjoyment of the individual stories contained within. As one might anticipate in an anthology of this nature, there are stories that shine brightly, others that falter, and a range of narratives that occupy the middle ground. With a total of twenty-nine stories of varying lengths and themes, readers are likely to find selections that resonate with their tastes. However, if you’re specifically seeking something frightening or suspenseful, I must advise against this book, as I found none of the tales genuinely eerie or terrifying. Though it features an ensemble of killers and a certain atmospheric quality, it lacks the spine-chilling thrills that typically accompany horror stories. The only thing that might send shivers down your spine would be the idea of encountering a man in a red suit during the dark of night.
Among the 29 stories, I discovered four that truly captivated me while the remainder fell into the category of mediocre.
One standout is “Tommy’s Christmas” by John R. Little, which presents a compelling twist on the holiday theme. The narrative follows a burglar disguised as Santa Claus who mistakenly invades the wrong home on what is supposed to be a joyous occasion. While the story doesn’t delve into the realm of horror, the clever twist at the end offers a satisfying surprise that elevates the overall experience.
Another noteworthy entry is “The Christmas Spirit” by Lisa Morton. This story explores the unraveling marriage of a couple who, in an effort to rekindle their connection, escape to the rustic country home of an aunt. Upon their arrival, they come across an old book that provides enjoyable entertainment until the plot thickens and complications arise. The story weaves a subtle gothic atmosphere throughout, effectively enhancing the emotional depth and tension as the couple’s adventure unfolds.
These stories, while not overtly scary, each offer unique elements that enrich the anthology, making them stand out among their peers.
‘Psychopathic Remix’ by J.C. Michael I found to be the most fun and macabre thing in this anthology. The Twelve Days of Christmas with a killer twist. I sang instead of just reading it and it was fun.
‘Deck The Halls by Xtina Marie is a nice poem that I liked and think that everyone else will too.
I found the above to be the most creative out the bunch though there were others that were good in their own way.
don’t often delve into straight romances—those without any paranormal twists—so whenever I come across one that truly captivates me, it sparks a desire to explore more in that genre. That’s exactly the case with this particular story. The talented narrators, Andi Arndt and Sebastian York, breathe life into the narrative, infusing it with such authenticity and emotion that it feels incredibly real and relatable. Their performances are not just readings; they create an immersive experience that draws you in.
The romance itself strikes a delightful balance between sweetness and sensuality, interspersed with moments of humor that keep the tone light and engaging. The characters are wonderfully crafted, each with their unique charm that makes them endearing. You’ll find yourself invested in their journey, feeling as though you’re part of their lives and experiences.
At the heart of the story is Riley Kennedy, who works diligently for a prominent book publishing company in New York City. The company has various divisions, and while Riley enjoys her role, she has a particular annoyance with one of her co-workers from a different division—another individual named Kennedy Riley. This amusingly convoluted mix-up leads to frequent mishaps with their emails, as they often receive each other’s messages, much to their chagrin.
Things take an interesting turn when Riley and Kennedy finally cross paths at a festive Christmas party. In this moment, Kennedy proposes a clever solution to their mutual annoyance: he offers to accompany Riley to her family home for the holidays, posing as her boyfriend, if she will, in turn, attend a family wedding with him as his girlfriend. It sounds like a win-win situation—an ingenious way to keep their families off their backs—yet, as with all good stories, the simplicity of the arrangement belies the complexities that soon arise.
This charming tale serves as the perfect backdrop for the holiday season, filled with romantic tension, family dynamics, and the warmth of connection. Enjoy this sweet story as it unfolds during the most wonderful time of the year.
"I have enough time to rest, but I don't have a minute to waste". Come and catch me with your wise words and we will have some fun with our words of wisdom.
Bookgirl 